Ebook The Language of New Media (Leonardo Books)
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The Language of New Media (Leonardo Books)
Ebook The Language of New Media (Leonardo Books)
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Review
The Language of New Media, Manovich surpasses previous prophets of the new media by uncovering the way that what is new is often rooted in a transformation and rediscovery of the slumbering utopian energies of the past. Manovich not only describes the recent history of new media, but its foundations, and its intellectual and aesthetic debts to such aspects of media history as russian constructivism and early cinema. Striking while the media is still hot, Manovich sees creative possibilites and transformation, yet never falls into the trap of thinking new media have no history or have single-handedly created a new world. His vision is unique, risky, and compelling.―Tom Gunning, Professor Art History and Cinema and Media, University of ChicagoThis is simply the best book that I have read on the aesthetics of new media. Other authors have often made exaggerated and superficial claims about the novelty of art and design in the new digital technologies. Manovich offers us instead a sober and yet always fresh and exciting analysis of the relationships between new media and their predecessors, especially cinema. As a practicing artist as well as a theorist and historian of media, Manovich can explain the continuities with the past. This sense of history enables him to argue convincingly for the qualities of new media that he believes are truly new.―Jay David Bolter, Wesley Chair of New Media, Georgia Institute of Technology, author with Richard Grusin of RemediationSpend some of your precious time with this book, as time, in every sense, will prove that its succinct and careful analysis of new media is the most fundamental yet dynamic yet made. Lev Manovich's book is an intelligent object; its fractals capacitate a complex, yet accessible linguistic gateway to the history of new media forms, pushing these out of isolation towards tgeir relevant epistemologies in cinema, software development, programming languages, writing and communications theory, yet acknowledging unique qualities. It is a must for filmmakers, communications theorists, television producers, computer scientists, programmers, cultural critics, artists, cultural historians, and designers.―Sara Diamond, Artistic Director, Media and Visual Arts, The Banff CentreLev Manovich's The Language of New Media is a major event for those of us interested in understanding the nature of electronic literature and art. Deeply informed by an intimate knowledge of computer programming, architecture, and procedures, The Language of New Media combnies theoretical sophistication with rigorous inquiry into electronic processes of signification. Among its contributions are a much more precise vocabulary of New Media than is currently in use within cultural and literary studies; original and brilliant insights into the relation between narrative and database; and a comprehensive treatment of the means by which the cybernetic circuit between user and computer transfigures reading and writing. This is essential reading for anyone interested in literary and artistic uses of new media.―N. Katherine Hayles, Professor of English, and Design and New Media, University of California
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About the Author
Lev Manovich is Professor of Visual Arts, University of California, San Diego. His book The Language of New Media (MIT Press, 2001) has been hailed as "the most suggestive and broad ranging media history since Marshall McLuhan."
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Product details
Series: Leonardo
Paperback: 400 pages
Publisher: The MIT Press; Reprint edition (March 7, 2002)
Language: English
ISBN-10: 0262632551
ISBN-13: 978-0262632553
Product Dimensions:
7 x 0.5 x 9 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
3.3 out of 5 stars
22 customer reviews
Amazon Best Sellers Rank:
#687,606 in Books (See Top 100 in Books)
Book was in great shape. Very boring and hard to read
Manovich's treatment of computer-media expressive forms is intelligent and entirely worthy of serious engagement. At crucial points, however, he makes leaps and grand assertions without proper demonstration.For example, he speaks of the database as an expressive form, and as the key computer-mediated form of our time. So, why not explain how in the world a database is expressive, or how it makes meaning? He says it is naturally opposed to narrative--they are "natural enemies"--but how precisely does database accomplish anything for anyone without narrative (or interpretation, which is closely related)? What is a database without narrative? I just don't see how he has shown what he asserts. At the same time, i think much of the virtue of this book is through its suggestions rather than its water-tight argumentation. That can make it a fertile reading experience, but frustrating all the same. Books like this one get people talking, even if they are wrong on a lot of points. We need people to be speculative and a bit "loose" like much of this book is, but one must be prepared to read it critically and with some caution.
Waste of money
This book offers many useful concepts to serve as substract to analyse the new media, specially through comparing them to cinematographic and computer history.
I chose this rating, because this book turned out to be exactly what I wanted. Manovich puts digital media into historic and theoretical contexts which begin to make some sense to a decidedly analog mind. His speculations about aspects of digital media provide keynotes for what to watch for in the future and ways to think about changes in human perception as they evolve. In the process of elucidating digital culture, Manovich provides ample footnotes, bibliography, and references for his and opposing views for further consideration.
COMPLEXITY OF ANALYSIS MADE IT DIFFICULT TO GET INTO FOR ME. but will make continued effort to get into it.
In this fine work of literature, Mr. Manovich illustrates that he can talk a lot about computers, even though he doesn't know anything about them. He makes a plethora of fallacious statements, such as when he argues that all digital media must be discrete and contain only discrete objects, neglecting one can define a continuous geometry using discrete coefficients. If his statment were true, there'd be no way to draw a circle in Adobe Illustrator, but I know I've done that before! Read this book if you don't know what a computer is and won't mind misinformation presented to prove points that are stupid and worthless anyway.
Like pulling teeth. Far worse than a root canal.
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